Talk about whatever you want to here, but stay correct
#325907 by Bookwyrm83
Tue Jun 27, 2017 8:03 pm
Get Out.
This is a genuinely suspenseful and effective psychological horror tale, made more impressive as Jordan Peele directs like someone who has made several of these kind of movies (I read he actually has a few more, similar films planned and I'm looking forward to them).
Besides being craftily subversive on the issue of race, it also sets up an eerie atmosphere from the first shot, making the audience feel as alienated as the main character Chris, whilst balancing the tension with appropriate levels of humor. A few jump moments are peppered in but most of them serve to sustain unease; only one or two felt a bit gratuitous.
There are a couple of plot elements that had me raising questions and figuring them out on the way home, and while I can make sense of them after the fact, they do leave you wondering while the film progresses. Beyond that, I'd say this film earns its praise and warrants repeat viewings.
#325908 by EphelDuath666
Wed Jun 28, 2017 8:15 pm
I still need to watch JW2 and Get Out as well. JW2 is out on Blu-ray now but I think it'll still take a while for Get Out to be out on Blu-ray here. I think I'll finally go and watch Wonder Woman next week. I rewatched Man of Steel and Batman v Superman in anticipation. And I'm also looking forward to Spider-Man: Homecoming....A LOT.
#325910 by EphelDuath666
Sat Jul 08, 2017 3:36 pm
aaaaand I picked up fun fun! Hyperviolent of course and yes, at times I also felt like I was watching someone play a video game, heh. Didn't bother me either though. And the kill count :shock:
#325916 by Bookwyrm83
Thu Jul 13, 2017 11:54 am
Spider-Man: Homecoming
As far as I'm concerned, definitely the best Spidey film since Spider-Man 2 and could arguably be the best film adaptation, period. There's a lot more comedy and teenage humor in this installment than previous Spidey films, making it feel more like the source material in many ways, and thankfully skims over the origin story. We know enough, and now we get to know his world and the people in them.
Tom Holland plays teenage Peter Parker flawlessly and you truly believe this is a boy who is not only coming of age but learning the ways of the world, and his responsibility as a hero. However, unlike some other Spider-Man films, the movie doesn't spell it out to him - it simply shows him evolve and figure out the consequences for himself.
Michael Keaton's Adrian Toomes/Vulture is the perfect villain to offset him, as he's not completely evil but certainly cunning and dangerous when required. Batman (and Birdman) jokes are likely irresistible but this is one character who doesn't feel like a Marvel trope for once, which is good.
Like any good MCU film this has the right balance of light, dark, action and character-building. It doesn't feel like a stepping stone nor a rehash of what's been done before. It might get a bit too silly or quickly edited at times but it's definitely worth the effort. Recommended. :spidey:
#325920 by Bookwyrm83
Sat Jul 15, 2017 8:49 am
Baby Driver

Edgar Wright has delivered another winner with a film that's tense, intriguing but most of all fun.
An excellent soundtrack plays over (and often drives, pardon the pun) the story and action sequences. All the characters are engaging and most of the actors get a chance to steal the screen. John Hamm and Jamie Foxx are particularly brilliant as the main loose cannons of the bunch.
What's also great is that there's hardly any CGI to be noticed. The chases and shoot-outs feel real and are consistently white-knuckle. Baby's reliance on constant music and its effects are just as convincing as his character.
A genuinely thrilling (and also funny) movie that deserves to be seen and heard.
#325926 by Bookwyrm83
Sun Jul 23, 2017 6:59 am

In my honest opinion, Christopher Nolan has given us the Mad Max: Fury Road of World War 2 movies.
This film wastes no time in dropping into the battle and the intensity that comes with it. The characters we are introduced to aren't given a great amount of background (or dialogue, for that matter) and this helps to heighten the reality.
Instead of seeing people wax lyrical about the horrors of war, or cut to scenes of the Nazis scheming in the background, we see the soldiers (and civilians) impacted by the evacuation waiting for rescue, or death. It's this uncertainty and suspense, coupled with realistic action and fantastic dogfights, that keep the film riveting from start to finish.
I'm also glad it only went for 106 minutes because any longer would have felt excessive. We're given enough details to know what's going on and the rest is pure visual storytelling. I also liked that it's told from three main points of view that intersect and sometimes double back, similar in some ways to Memento. I'm going to see this again, and am aiming for IMAX so I can drink in those gorgeous shots. Check it out.

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