Does anyone know if Ho Krll is the only additional track from the Decon recordings? Or will there be others surfacing down the track like the rest of the Ghost material?
"Can we sack Phil?"
J. Hetfield
J. Hetfield
day old male wrote:Does anyone know if Ho Krll is the only additional track from the Decon recordings? Or will there be others surfacing down the track like the rest of the Ghost material?
Jaglavak wrote:day old male wrote:Does anyone know if Ho Krll is the only additional track from the Decon recordings? Or will there be others surfacing down the track like the rest of the Ghost material?
Supposedly, there's four altogether; Ho Krll, Mad At My Dad (this grindcore-ish sounding track from the sickdrummer.com video), Brownman (the track that Ziltoid 'wrote' about poop and boobs) and another... can't think of it, off the top of my head. They're all supposed to be included with the box set, though.
Octillus wrote:nope. Definitely thanks Greg Puciato for his participation in Traestorz in the booklet for Decon, which is either TMM or the electronic section of TMM.
maxoulou wrote:Deconstruction is a MASTERPIECE but Ghost is even better in term of emotion . Thank's Devin.
static2 wrote:in addition to "Mad at My Dad" and "Brownman," other titles were "Illuminati," "Morbid," "Turning Black" and "The Universe."
some of these may have been used to refer to parts of other songs; for instance, we have decent proof that "The Mighty Masturbator" includes subsections "Save the World," "Traestorz," and "The Punisher," so the first part of the song may have had one of those other titles above. (none of them seem to fit, though.)
the only multi-part song that seems to be exempt from this is "Planet of the Apes," which was just referred to by its numbers (i.e. "Planet of the Apes" I, II, and III).
Negoba wrote:I have realized after listening to Decon ALOT that everything I ever want when I listen to SYL I can get better from Decon. What's more, I can listen to Decon on repeat and enjoy every minute. I usually can't finish a SYL record, it's just too much hate.
Thanks Dev. Incredible work.
static2 wrote:in addition to "Mad at My Dad" and "Brownman," other titles were "Illuminati," "Morbid," "Turning Black" and "The Universe."
some of these may have been used to refer to parts of other songs; for instance, we have decent proof that "The Mighty Masturbator" includes subsections "Save the World," "Traestorz," and "The Punisher," so the first part of the song may have had one of those other titles above. (none of them seem to fit, though.)
the only multi-part song that seems to be exempt from this is "Planet of the Apes," which was just referred to by its numbers (i.e. "Planet of the Apes" I, II, and III).
day old male wrote:
It's funny you say that. When things start getting heavy in 'Stand' at 2.45-3.24 ("I've come face to face with myself, man..."), I reckon that this section alone is the first and only time Dev has truly sounded like the Dev who recorded 'City'. It's a big call, I know, but it's my sincere opinion. I have loved everything Dev has ever done (some things more than others, of course), but this moment gives me chills because it reminds me of the sound that first brought him to my attention, which was 'City'.
What Decon has over most of his heavy shit from the past is that it is just so damn interesting, internally diverse and cool. There's the right balance of contrast and experimentalism to keep things really gripping from start to finish, unlike some of his other works that have been more one-dimensional (the self-titled SYL album, for example). The amazing thing about Decon, too, is that my brain has completely adjusted to its madness now, and I'm enjoying it as comfortably as any of his other works. I really thought the insanity of Decon might have taken a lot more getting-used-to, but it's been surprisingly easy
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